Aesthetic Hybridity In Mughal Painting, 1526-1658-..
até
4x
de
R$ 332,00
sem juros
ou R$ 1.261,60
via Pix
Adicionar ao carrinho
Estoque:
Disponível
-
- 1x de R$ 1.328,00 sem juros
- 2x de R$ 664,00 sem juros
- 3x de R$ 442,66 sem juros
- 4x de R$ 332,00 sem juros
-
R$ 1.261,60
-
R$ 1.328,00
The first specialized critical-aesthetic study to be published on the concept of hybridity in early Mughal painting, this book investigates the workings of the diverse creative forces that led to the formation of a unique Mughal pictorial language. Mughal pictoriality distinguishes itself from the Persianate models through the rationalization of the picture's conceptual structure and other visual modes of expression involving the aesthetic concept of mimesis. If the stylistic and iconographic results of this transformational process have been well identified and evidenced, their hermeneutic interpretation greatly suffers from the neglect of a methodologically updated investigation of the images' conceptual underpinning. Valerie Gonzalez addresses this lacuna by exploring the operations of cross-fertilization at the level of imagistic conceptualization resulting from the multifaceted encounter between the local legacy of Indo-Persianate book art, the freshly imported Persian models to Mughal India after 1555 and the influx of European art at the Mughal court in the sixteenth and seventeenth centuries. The author's close examination of the visuality, metaphysical order and aesthetic language of Mughal imagery and portraiture sheds new light on this particular aspect of its aesthetic hybridity, which is usually approached monolithically as a historical phenomenon of cross-cultural interaction. That approach fails to consider specific parameters and features inherent to the artistic practice, such as the differences between doxis and praxis, conceptualization and realization, intentionality and what lies beyond it. By studying the distinct phases and principles of hybridization between the variegated pictorial sources at work in the Mughal creative process at the successive levels of the project/intention, the practice/realization and the result/product, the author deciphers the modalities of appropriation and manipulation of the heterogeneous elements. Her unique
| ISBN | 9781409412564 |
| Autor(a) | Gonzalez, Valerie |
| Editora | Routledge |
| Ano de edição | 2015 |
| Páginas | 336 |
| Acabamento | Capa Dura |
| Dimensões | 23,40 X 15,60 |
Produtos relacionados
-
Mughal Paintings Through Ages: Painting Heritage Of India-..R$ 381,80R$ 305,44até 4x de R$ 76,36 sem jurosou R$ 290,17 via Pix20% Desconto -
Translation And Linguistic Hybridity: Constructing World-View-..R$ 1.867,50R$ 1.494,00até 4x de R$ 373,50 sem jurosou R$ 1.419,30 via Pix20% Desconto -
Aesthetic Theory-..
R$ 2.822,00R$ 2.257,60até 4x de R$ 564,40 sem jurosou R$ 2.144,72 via Pix20% Desconto -
Aesthetic Marx-..
R$ 314,99R$ 251,99até 4x de R$ 62,99 sem jurosou R$ 239,39 via Pix20% Desconto
-
Categorias
Pague com
Selos
MYRE EDITORA, COMERCIALIZADORA, IMPORTADORA E DISTRIBUIDORA LTDA - CNPJ: 50.295.718/0001-20 © Todos os direitos reservados. 2026
