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A timely addition to Routledge's Criticism and Analysis of Early Music series, this collection of essays examines the common compositional practice of borrowing or imitation in fifteenth-and sixteenth-century music, addressing how and why borrowing was used, the significance of borrowing, the techniques of borrowing, and its recognizable features. The book provides a broad overview of this common practice and sheds light on previously unexplored aspects of early musical borrowing. It functions as both an introduction to the subject as well as a guide for further research. The contributors, all highly regarded in their field, offer new insights that will change the way we view borrowing.
| ISBN | 9780815335214 |
| Autor(a) | Meconi, Honey |
| Editora | Routledge |
| Ano de edição | 2003 |
| Páginas | 248 |
| Acabamento | Capa Dura |
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