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What does it mean when a singing voice is detached from an originating body through recording? And how does this affect consumers of recorded song? This book examines the practice of lipsynching to pre-recorded song in both professional and vernacular contexts, covering over a century of diverse artistic practices from early cinema through to the current popularity of self-produced internet lipsynching videos. It examines the ways in which we listen to, respond to, and use recorded music, not only as a commodity to be consumed but as a culturally-sophisticated and complex means of identification, a site of projection, introjection, and habitation, and, through this, a means of personal and collective creativity.
| ISBN | 9781501352348 |
| Autor(a) | Snell, Merrie |
| Editora | Bloomsbury Publishing Plc |
| Ano de edição | 2020 |
| Páginas | 200 |
| Acabamento | Brochura |
| Dimensões | 21,30 X 14,00 |
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